Film & TV Production Security

Victoria Film & TV Production effective security management, and the Production of Assets with an onsite Static Guard is the most sensible way of avoiding any damage or theft of expensive equipment.
How to keep safe the Film Production Assets with overnight Protection with an onsite Static Guard is the most sensible way of avoiding any damage or theft of expensive equipment.
The Producer for any future or current Productions can contact us any time for any tentative Principal Photography location, we’re assets will need protection. 
Pre-production when appointing the Line Manager and or Production Manager you could also include engaging a reliable Security company like us to have tentatively booked for all shoot locations and castings. 
During the Principal Photography, we can have an Experienced Guard to keep the public quiet and away from the affected film area. The disturbance from stickybeaks, Pavarotti, or just annoying blowflies in the public can slow down production and add a blowout to production costs with the delays.
When it’s a Wrap (strike/dismantle) and the set needs to be taken down. Our security will be onsite to ensure assets are not walking off-site. Once the clear the production location is clear and contractors have left the site the security guard can do a detailed report on the condition of the site for the back of office purposes.

Overnight Night Security
Film & TV Production effective security management, and the Production of Assets with a onsite Static Guard is the most sensible way of avoiding any damage or theft of expensive equipment.

Security Guards Melbourne

t: (03) 9005 7670 m: 0467341387 

Security Business license: 758-987-02S

Security Guards Melbourne

https://securityguardsmelbourne.com.au/embed/#?secret=YvHwieqAFa

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The Corrective Services Pty Ltd Director and employees acknowledge the Traditional Custodians of the land and waterways on which our services operate. We pay our respects to Aboriginal and Torres Strait Islander Elders past, present, and emerging. I particularly acknowledge the Wathaurong (Wadda-Warrung) people of the Kulin Nation, on whose land I work.

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